We are starting this not move: contemporary art, among other things, has accustomed to appreciate the incompleteness. Here, of course, there were hints East. If it were not for the Japanese pavilion at the famous World's Fair, then - who knows - in which direction led to Impressionism (in music - Debussy).
I must confess that I prefer poorly preserved paintings. Especially icons - with blackened oil, peeling gesso, a bare box, treads the board. They are interesting not only new because of its artistic qualities, but also because of our changed view for which complete "tailor" gives the overfed. Now they will stand in its original form, it would have lost in our eyes (and some muck now seems restored "Last Supper" by Leonardo, so charming before, Barely!).
This should probably reconcile with the idea of Celan the propensity of modern poetry to silence. Vicissitudes of preservation of old works entered in them we need a dose of silence.
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